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      Department of Cinema and Digital Media

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      GEAR 212 | Course Introduction and Application Information

      Course Name
      Basic Photography
      Code
      Semester
      Theory
      (hour/week)
      Application/Lab
      (hour/week)
      Local Credits
      ECTS
      GEAR 212
      Fall/Spring
      2
      2
      3
      6

      Prerequisites
      None
      Course Language
      Course Type
      Second Foreign Language
      Course Level
      -
      Mode of Delivery -
      Teaching Methods and Techniques of the Course Discussion
      Q&A
      Critical feedback
      Application: Experiment / Laboratory / Workshop
      Lecture / Presentation
      National Occupation Classification -
      Course Coordinator
      • Öğr. Gör. Ersan ÇELİKTAŞ
      Course Lecturer(s)
      • Öğr. Gör. Ersan ÇELİKTAŞ
      Assistant(s) -
      Course Objectives The main objective of the course is to develop a working knowledge of photography through the application of skills regarding camera choices, lens choices, camera operation (aperture/shutter speed/ISO), lighting, composition and image processing. Through a series of genre-oriented assignments, students will learn to shoot and edit according to assignments/client briefs.
      Learning Outcomes

      The students who succeeded in this course;

      • Students will be able to effectively operate a Digital SLR camera through the use and manipulation of manual controls
      • Students will be able to ‘problemshoot’ and confidently make technical decisions according to a variety of a photographic scenarios
      • Students will be able to demonstrate an operational/practical difference between different genres of photography
      • Students will be able to curate and edit their own images in the form of a visual essay
      • Students will be able to effectively frame a subject using intuitive and/or guided methods
      Course Description Through bi-weekly assignments, students are expected to produce photographs according to the demands/technical requirements of the following genres: street photography, architectural photography, product photography, and fashion photography.
      Related Sustainable Development Goals

       



      Course Category

      Core Courses
      Major Area Courses
      Supportive Courses
      Media and Management Skills Courses
      Transferable Skill Courses

       

      WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

      Week Subjects Related Preparation
      1 Introduction
      2 History of Photography & Photography Basics Davenport, A., 1991, The History of Photography, Focal Press: Boston, ISBN: 0-8263-2076-7 p.3-29. Turner, P., 1987, History of Photograph, Bison Books Corp: USA, ISBN: 0-671-08923-4, p. 11-35. Stuckey, S., National Geographic Complete Photography, 2011, National Geographic Society: USA, ISBN: 978-142620776, p. 9-196.
      3 Photography Basics II & Assignment Diprose, G. and Robins, J., 2012, Photography: the new basics: principles, techniques and practice, Thames&Hudson: United Kingdom, ISBN: 978-0-500-28978-5, p. 45-68 and p.113-140.
      4 Project I (%10)
      5 Project I Continues & Adobe Camera Raw Workshop Sheppard, R., 2008, Adobe Camera Raw For Digital Photographers Only, 2nd ed., Wiley Publishing: Indiana, ISBN: 978-0-470-22457-1, p.73-266.
      6 Project II (%10) & Basics of Photostudio Equipment Child, J. , Studio Photography Essential Skills, 2008, 4th ed., Focal Press: Canada, ISBN: 978-0-240-52096-4, p. 45-126 Lewinski, J. and Magnus, M., The Book of Portrait Photography, 1982, Alfred A. Knopf Inc. : New York, ISBN: 978-0394524689, p.6-72 Smith, B., Secrets of Great Portrait Photography: Photographs of the Famous and Infamous, 2013, New Riders: USA, ISBN: 978-0-321-80414-3, p. 18-194
      7 Project II Continues
      8 Project III (%10) Siegel, E, 2008, The Fashion Photography Course: First Principles to Successful Shoot - the Essential Guide, Thames&Hudson: London, ISBN: 978-0-500-28769-9, p.10-99
      9 Midterm Week
      10 Project III Continues
      11 Project IV (%10) Perweiler, G., 1984, Secrets of Studio Still Life Photography, Amphoto: New York, ISBN: 0-8174-5898-0, p.6-133
      12 Labor and Solidarity Day (Public Holiday) Make-up course will be held on May 17th 2024
      13 Project IV Continues & Project V (%10)
      14 Project V Continues / Project V Continues (Make-up Course)
      15 Project V Continues & Portfolio Submission Brief
      16 Semester Review Portfolio Submission

       

      Course Notes/Textbooks
      Suggested Readings/Materials

      Davenport, A., 1991, The History of Photography, Focal Press: Boston, ISBN: 0-8263-2076-7 p.3-29

      Turner, P., 1987, History of Photograph, Bison Books Corp: USA, ISBN: 0-671-08923-4, p. 11-35

      Stuckey, S., National Geographic Complete Photography, 2011, National Geographic Society: USA, ISBN: 978-142620776, p. 9-196

      Diprose, G. and Robins, J., 2012, Photography: the new basics: principles, techniques and practice, Thames&Hudson: United Kingdom, ISBN: 978-0-500-28978-5, p. 45-68 and 113-140

      Sheppard, R., 2008, Adobe Camera Raw For Digital Photographers Only, 2nd ed., Wiley Publishing: Indiana, ISBN: 978-0-470-22457-1, p.73-266

      Lewinski, J. and Magnus, M., The Book of Portrait Photography, 1982, Alfred A. Knopf Inc. : New York, ISBN: 978-0394524689, p.6-72

      Smith, B., Secrets of Great Portrait Photography: Photographs of the Famous and Infamous, 2013, New Riders: USA, ISBN: 978-0-321-80414-3, p. 18-194

      Child, J. , Studio Photography Essential Skills, 2008, 4th ed., Focal Press: Canada, ISBN: 978-0-240-52096-4, p. 45-126

      Siegel, E, 2008, The Fashion Photography Course: First Principles to Successful Shoot - the Essential Guide, Thames&Hudson: London, ISBN: 978-0-500-28769-9, p.10-99

      Perweiler, G., 1984, Secrets of Studio Still Life Photography, Amphoto: New York, ISBN: 0-8174-5898-0, p.6-133

       

      EVALUATION SYSTEM

      Semester Activities Number Weigthing
      Participation
      1
      10
      Laboratory / Application
      Field Work
      Quizzes / Studio Critiques
      Portfolio
      1
      30
      Homework / Assignments
      1
      10
      Presentation / Jury
      Project
      1
      50
      Seminar / Workshop
      Oral Exams
      Midterm
      Final Exam
      Total

      Weighting of Semester Activities on the Final Grade
      4
      100
      Weighting of End-of-Semester Activities on the Final Grade
      Total

      ECTS / WORKLOAD TABLE

      Semester Activities Number Duration (Hours) Workload
      Theoretical Course Hours
      (Including exam week: 16 x total hours)
      16
      2
      32
      Laboratory / Application Hours
      (Including exam week: '.16.' x total hours)
      16
      2
      32
      Study Hours Out of Class
      14
      2
      28
      Field Work
      0
      Quizzes / Studio Critiques
      0
      Portfolio
      1
      28
      28
      Homework / Assignments
      1
      10
      10
      Presentation / Jury
      0
      Project
      5
      10
      50
      Seminar / Workshop
      0
      Oral Exam
      0
      Midterms
      0
      Final Exam
      0
          Total
      180

       

      COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

      #
      Program Competencies/Outcomes
      * Contribution Level
      1
      2
      3
      4
      5
      1

      To be able to have fundamental knowledge about narrative forms in cinema, digital and interactive media, and the foundational concepts relevant to these forms.

      -
      -
      -
      -
      -
      2

      To be able to create narratives based on creative and critical thinking skills, by using the forms and tools of expression specific to cinema and digital media arts.

      -
      -
      -
      -
      -
      3

      To be able to use the technical equipment and software required for becoming a specialist/expert in cinema and digital media.

      -
      -
      -
      -
      -
      4

      To be able to perform skills such as scriptwriting, production planning, use of the camera, sound recording, lighting and editing, at the basic level necessary for pre-production, production and post-production phases of an audio-visual work; and to perform at least one of them at an advanced level.

      -
      -
      -
      -
      -
      5

      To be able to discuss how meaning is made in cinema and digital media; how economy, politics and culture affect regimes of representation; and how processes of production, consumption, distribution and meaning-making shape narratives.

      -
      -
      -
      -
      -
      6

      To be able to perform the special technical and aesthetic skills at the basic level necessary to create digital media narratives in the fields of interactive film, video installation, experimental cinema and virtual reality.

      -
      -
      -
      -
      -
      7

      To be able to critically analyze a film or digital media artwork from technical, intellectual and artistic perspectives.

      -
      -
      -
      -
      -
      8

      To be able to participate in the production of a film or digital media artwork as a member or leader of a team, following the principles of work safety and norms of ethical behavior.

      -
      -
      -
      -
      -
      9

      To be able to stay informed about global scientific, social, economic, cultural, political, institutional and industrial developments.

      -
      -
      -
      -
      -
      10

      To be able to develop solutions to legal, scientific and professional problems surrounding the field of cinema and digital media.

      -
      -
      -
      -
      -
      11

      To be able to use a foreign language to communicate with colleagues and collect data in the field of cinema and digital media. ("European Language Portfolio Global Scale", Level B1).

      -
      -
      -
      -
      -
      12

      To be able to use a second foreign language at the medium level.

      -
      -
      -
      -
      -
      13

      To be able to connect the knowledge accumulated throughout human history to the field of expertise.

      -
      -
      -
      -
      -

      *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest


      NEWSALL NEWS

      Super grandma
      Super grandma

      Izmir University of Economics (IUE) Department of Cinema and Digital Media student Yağmur Canpolat's short film titled ‘Sevim,’ in which ...

      Related SDG:
      4
      8
      10
      17
      Detail
      ‘Documentary’ success of young filmmakers
      ‘Documentary’ success of young filmmakers

      Bilge Olcay Yılmaz and Yağmur Türkmenoğlu, students of Izmir University of Economics (IUE) Department of Cinema and Digital Media, made ...

      Related SDG:
      4
      10
      12
      Detail
      Wrote the Script, Won the Award in Zagreb
      Wrote the Script, Won the Award in Zagreb

      Berhan Mete Arkın, a graduate of Izmir University of Economics (IUE) who continued his studies in Slovenia, won an award ...

      Related SDG:
      4
      10
      12
      Detail
      They shot and directed, and won the prize
      They shot and directed, and won the prize

      Yağmur Canpolat and Berna Oduncu, students of Izmir University of Economics (IUE) Department of Cinema and Digital Media, won the ...

      Detail
      We returned from Golden Boll with an award!
      We returned from Golden Boll with an award!

      Yağmur Canpolat and Berna Oduncu, students of Izmir University of Economics, Department of Cinema and Digital Media, won the Best ...

      Detail
      CDM students won an award the KHAS Short Film Festival!
      CDM students won an award the KHAS Short Film Festival!

      Double Exposure, directed by Ömer Nakay and Oğuz Kaan Kurt, students of the Cinema and Digital Media Department at İzmir University ...

      Detail
      ‘Galactic Treasure’ got an award from Hong Kong
      ‘Galactic Treasure’ got an award from Hong Kong

      Ecem Çörtle, a student from Izmir University of Economics (IUE) Department of Cinema and Digital Media, came third at the ...

      Detail
      "Working with Found Footage" Workshop Organized with Zeyno Pekünlü
      "Working with Found Footage" Workshop Organized with Zeyno Pekünlü

      Artist, director, activist and academician Zeyno Pekünlü was the guest of CDM232: Digital Film Studio II. ...

      Detail

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