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      GEHU 303 | Course Introduction and Application Information

      Course Name
      Ecology, Politics, Planetary Thinking
      Code
      Semester
      Theory
      (hour/week)
      Application/Lab
      (hour/week)
      Local Credits
      ECTS
      GEHU 303
      Fall/Spring
      3
      0
      3
      4

      Prerequisites
      None
      Course Language
      English
      Course Type
      Service Course
      Course Level
      First Cycle
      Mode of Delivery -
      Teaching Methods and Techniques of the Course -
      National Occupation Classification -
      Course Coordinator
      • Dr. Öğr. Üyesi Ünsal Doğan BAŞKIR
      Course Lecturer(s)
      • Öğr. Gör. Dr. Bengü AYDIN
      • Öğr. Gör. ERDİNÇ ERDEM
      Assistant(s) -
      Course Objectives This course aims to introduce key issues, major themes, and pressing problems concerning environmental politics and ecological thinking. Massive-scale expansion of urban areas; irreversible processes of deforestation and environmental degradation caused by the idea of "infinite growth"; careless urbanization and suburbanization; local and global threats posed by the climate change; and transnational impacts of changing public consumption habits into blind consumerism; all of these developments in the past few centuries address that in our age, the human-nature relationship takes place in the form of an "ecological crisis," meaning the time for taking significant steps towards rethinking of this relationship. In this respect, this course offers students to comprehend various issues of politics of environment from the perspective of "planetary thinking," which acknowledges contributions of conventional approaches; but it also brings a new approach by studying "human life" and "human health" in relation to planetary health that includes animal health, environmental/ecological health, and biodiversity.
      Learning Outcomes

      The students who succeeded in this course;

      • define major shifts and developments in history on the relationship between human and nature leading to the age of global ecological crisis;
      • explain the interconnectedness between society and ecology in the sense of how society is affected by the environmental problems
      • compare and contrast the actions of various actors in ecological crisis;
      • develop a critical understanding on different opinions, attitudes, and actions of ecological movement at individual and collective levels;
      • examine the processes on how societal development, economic growth, and industrialization can take place in a positive-sum relationship with ecological progress and planetary health;
      • develop solutions for the problems posed by the ecological crisis through taking steps towards planetary thinking.
      Course Description This course will develop in three parts. In the first part, we are going to spend some time in understanding the “ecological crisis” by looking at its symptoms and reasons, also climate denialism, and the idea of “planetary thinking” and “planetary health.” In the second part, we are going to elaborate on the critical perspectives towards the idea of environmental justice with an emphasis on green philosophy and politics as well as international cooperation on sustainability and ecological enhancement. We will devote the final part of the course on current debates.
      Related Sustainable Development Goals

       



      Course Category

      Core Courses
      Major Area Courses
      Supportive Courses
      Media and Management Skills Courses
      Transferable Skill Courses

       

      WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

      Week Subjects Related Preparation
      1 Introduction to the course: Objectives and Expectations John Bellamy Foster (1999), The Vulnerable Planet, (NY: Monthly Review Press), Preface&Ch.1
      2 Ecology and the Emergence of Environmental Politics Jaboury Ghazoul (2020), Ecology: A Very Short Introduction (NY and London: Oxford University Press), ch.1-2. Andrew Dobson (2016), Environmental Politics: A Very Short Introduction, (NY and London: Oxford University Press), introduction; ch.1-2. Pamela S. Chasek et al. (2018), “The Emergence of Global Environmental Politics,” Global Environmental Politics (7th ed.), (NY and London: Routledge), pp. 1-49.
      3 The Rise and Fall of Developmentalism and “Infinite Growth” Kelley Johnson (2010), “Developmentalism Then and Now: The Origins and Resurgence of an Enduring Grand Theory,” Grand Theories and Ideologies in the Social Sciences (ed. Howard J. Wiarda), (NY: Palgrave Macmillan), pp. 19-40. Sukhoon Hong (2010), “Environmental and Geographic Determinism: Jared Diamond and His Ideas,” Grand Theories and Ideologies in the Social Sciences (ed. Howard J. Wiarda), (NY: Palgrave Macmillan), pp. 141-158. Jacobus A. du Pisani (2006), “Sustainable Development: Historical Roots of the Concept,” Environmental Sciences, Vol. 3, No. 2, pp. 83-96.
      4 Actors and Regimes of Environmental Politics Pamela S. Chasek et al. (2018), “Actors in the Environmental Arena,” Global Environmental Politics (7th ed.), (NY and London: Routledge), pp. 51-103. Lindsay Maizland (2021), “Global Climate Agreements: Successes and Failures,” Council on Foreign Relations (https://www.cfr.org/backgrounder/paris-global-climate-change-agreements).
      5 Approaches 1: Population and Scarcity vs. Institutions and Commons Paul Robbins et al. (2014), Environment and Society: A Critical Introduction, (UK: Wiley Blackwell), ch.2&ch.4.
      6 Approaches 2: Environmental Justice *Deadline for setting up presentation groups Paul Robbins et al. (2014), Environment and Society: A Critical Introduction, (UK: Wiley Blackwell), ch.5.
      7 Midterm
      8 Making Sense of the “Crisis” of Ecology TBA
      9 Climate Change: Denialist vs. Alarmist Controversy **Deadline for submitting presentation topics with brief descriptions TBA
      10 Solutions 1: Transnational Activism/ Environmental Movements ***Feedback on presentation topics TBA
      11 Solutions 2: “Planetary Health” TBA
      12 Presentations
      13 Presentations
      14 Presentations
      15 Review of the Semester
      16 Final Exam

       

      Course Notes/Textbooks
      Suggested Readings/Materials

       

      EVALUATION SYSTEM

      Semester Activities Number Weigthing
      Participation
      1
      10
      Laboratory / Application
      Field Work
      Quizzes / Studio Critiques
      Portfolio
      Homework / Assignments
      1
      20
      Presentation / Jury
      Project
      Seminar / Workshop
      Oral Exams
      Midterm
      1
      30
      Final Exam
      1
      40
      Total

      Weighting of Semester Activities on the Final Grade
      3
      60
      Weighting of End-of-Semester Activities on the Final Grade
      1
      40
      Total

      ECTS / WORKLOAD TABLE

      Semester Activities Number Duration (Hours) Workload
      Theoretical Course Hours
      (Including exam week: 16 x total hours)
      16
      3
      48
      Laboratory / Application Hours
      (Including exam week: '.16.' x total hours)
      16
      0
      Study Hours Out of Class
      16
      1
      16
      Field Work
      0
      Quizzes / Studio Critiques
      0
      Portfolio
      0
      Homework / Assignments
      1
      8
      8
      Presentation / Jury
      0
      Project
      0
      Seminar / Workshop
      0
      Oral Exam
      0
      Midterms
      1
      10
      10
      Final Exam
      1
      18
      18
          Total
      100

       

      COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

      #
      Program Competencies/Outcomes
      * Contribution Level
      1
      2
      3
      4
      5
      1

      To be able to have fundamental knowledge about narrative forms in cinema, digital and interactive media, and the foundational concepts relevant to these forms.

      -
      -
      -
      -
      -
      2

      To be able to create narratives based on creative and critical thinking skills, by using the forms and tools of expression specific to cinema and digital media arts.

      -
      -
      -
      -
      -
      3

      To be able to use the technical equipment and software required for becoming a specialist/expert in cinema and digital media.

      -
      -
      -
      -
      -
      4

      To be able to perform skills such as scriptwriting, production planning, use of the camera, sound recording, lighting and editing, at the basic level necessary for pre-production, production and post-production phases of an audio-visual work; and to perform at least one of them at an advanced level.

      -
      -
      -
      -
      -
      5

      To be able to discuss how meaning is made in cinema and digital media; how economy, politics and culture affect regimes of representation; and how processes of production, consumption, distribution and meaning-making shape narratives.

      -
      -
      -
      -
      -
      6

      To be able to perform the special technical and aesthetic skills at the basic level necessary to create digital media narratives in the fields of interactive film, video installation, experimental cinema and virtual reality.

      -
      -
      -
      -
      -
      7

      To be able to critically analyze a film or digital media artwork from technical, intellectual and artistic perspectives.

      -
      -
      -
      -
      -
      8

      To be able to participate in the production of a film or digital media artwork as a member or leader of a team, following the principles of work safety and norms of ethical behavior.

      -
      -
      -
      -
      -
      9

      To be able to stay informed about global scientific, social, economic, cultural, political, institutional and industrial developments.

      -
      -
      -
      -
      -
      10

      To be able to develop solutions to legal, scientific and professional problems surrounding the field of cinema and digital media.

      -
      -
      -
      -
      -
      11

      To be able to use a foreign language to communicate with colleagues and collect data in the field of cinema and digital media. ("European Language Portfolio Global Scale", Level B1).

      -
      -
      -
      -
      -
      12

      To be able to use a second foreign language at the medium level.

      -
      -
      -
      -
      -
      13

      To be able to connect the knowledge accumulated throughout human history to the field of expertise.

      -
      -
      -
      -
      -

      *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest


      NEWSALL NEWS

      Super grandma
      Super grandma

      Izmir University of Economics (IUE) Department of Cinema and Digital Media student Yağmur Canpolat's short film titled ‘Sevim,’ in which ...

      Related SDG:
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      Detail
      ‘Documentary’ success of young filmmakers
      ‘Documentary’ success of young filmmakers

      Bilge Olcay Yılmaz and Yağmur Türkmenoğlu, students of Izmir University of Economics (IUE) Department of Cinema and Digital Media, made ...

      Related SDG:
      4
      10
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      Detail
      Wrote the Script, Won the Award in Zagreb
      Wrote the Script, Won the Award in Zagreb

      Berhan Mete Arkın, a graduate of Izmir University of Economics (IUE) who continued his studies in Slovenia, won an award ...

      Related SDG:
      4
      10
      12
      Detail
      They shot and directed, and won the prize
      They shot and directed, and won the prize

      Yağmur Canpolat and Berna Oduncu, students of Izmir University of Economics (IUE) Department of Cinema and Digital Media, won the ...

      Detail
      We returned from Golden Boll with an award!
      We returned from Golden Boll with an award!

      Yağmur Canpolat and Berna Oduncu, students of Izmir University of Economics, Department of Cinema and Digital Media, won the Best ...

      Detail
      CDM students won an award the KHAS Short Film Festival!
      CDM students won an award the KHAS Short Film Festival!

      Double Exposure, directed by Ömer Nakay and Oğuz Kaan Kurt, students of the Cinema and Digital Media Department at İzmir University ...

      Detail
      ‘Galactic Treasure’ got an award from Hong Kong
      ‘Galactic Treasure’ got an award from Hong Kong

      Ecem Çörtle, a student from Izmir University of Economics (IUE) Department of Cinema and Digital Media, came third at the ...

      Detail
      "Working with Found Footage" Workshop Organized with Zeyno Pekünlü
      "Working with Found Footage" Workshop Organized with Zeyno Pekünlü

      Artist, director, activist and academician Zeyno Pekünlü was the guest of CDM232: Digital Film Studio II. ...

      Detail

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