GEHU 204 | Course Introduction and Application Information

Course Name
Fundamentals of Philosophy
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
GEHU 204
Fall/Spring
3
0
3
6

Prerequisites
None
Course Language
English
Course Type
Service Course
Course Level
First Cycle
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives To provide an introduction to the fundamental concepts and argumentative strategies of philosophy through an investigation of the question “What is a rational animal?” in relation to logic, epistemology, ethics, and political philosophy.
Course Description The students who succeeded in this course;
  • will be able to understand and use basic concepts of logic, epistemology, ethics, and political philosophy.
  • will be able to acquire and sharpen critical reasoning and writing skills.
  • will be able to develop skills necessary for the close reading and analysis of texts in the humanities and the social sciences.
  • will be able to evaluate arguments in terms of their validity and the truth of their premises.
  • will be able to distinguish between consequentialist (utilitarian), deontological, and virtue ethical types of evaluation for human actions.
  • will be able to distinguish between descriptive and prescriptive propositions, and apply that distinction to the problem of justification of political authority.
  • will be able to familiarize themselves with classical and contemporary philosophical and literary texts.
Course Content

 



Course Category

Core Courses
Major Area Courses
Supportive Courses
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Presentation and overview of the course; discussion of how to begin philosophy by acknowledging that we have already begun. Overview and discussion of a number of dilemmas and paradoxes.
2 Plato Apology
3 What is an argument? The concepts of validity, truth and soundness. Types of justification; types of refutation: by parallel reasoning, counter-examples, reductio ad absurdum. R. Fogelin, Understanding Arguments, pp 45-53 and pp. 405-433.
4 Fallacies of vacuity: circular reasoning, question-begging; fallacies of relevance: ad hominem, straw man, false cause, appeals to authority Fogelin, pp. 477-405
5 The Chinese Room Argument: Can Computers think? Discussion of artificial intelligence. Turing, A., 1948, ‘Intelligent Machinery: A Report’, London: National Physical Laboratory; Searle, J., 1980, ‘Minds, Brains and Programs’, Behavioral and Brain Sciences, 3: 417–57
6 MIDTERM
7 Introduction to epistemology Descartes, Meditations on First Philosophy, Meditation 1 and 2
8 Skepticism, sources of knowledge, methodic doubt, certainty as epistemic criterion, the cogito as first principle and model of Descartes, Meditations 2 (contn’d) and 3
9 Philosophy and science: the thinking subject as embodied being subject to the laws of nature. FIRST PAPER DUE Janet Richards, Human Nature After Darwin, pp. 4-25 FIRST PAPER DUE
10 Evolutionary biology as philosophical challenge and answer to the question “What is a rational animal?” Richards, pp. 25-51
11 Determinism, freedom of the will, morality as a scientific problem and science as a moral problem Richards, pp. 126-154
12 Consequentialism (Utilitarianism) and Deontology: arguments and criticisms Kant, pp. 274-281; Bennett, pp. 294-306; Bentham, pp. 306-312; Williams pp. 339-345; M. L. K. Jr., Letter from Birmingham Jail.
13 Moral Psychology and Perspectivism. Nietzsche, On the Genealogy of Morals, essays I and II.
14 The responsibilities and the problems of rational thought; the rational animal and the polis. Aristotle, Politics, Bk. 1 1986-2000; Locke, 249-253; Bentham and Mill, 270-274 Levi, If This is a Man.
15 Week 14 cont’d. SECOND PAPER DUE. Levi, Contn’d.
16 Final

 

Course Notes/Textbooks
Suggested Readings/Materials

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
16
10
Laboratory / Application
Field Work
Quizzes / Studio Critiques
1
25
Homework / Assignments
Presentation / Jury
Project
Seminar / Workshop
Oral Exams
Midterm
1
30
Final Exam
1
35
Total

Weighting of Semester Activities on the Final Grade
65
Weighting of End-of-Semester Activities on the Final Grade
35
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: 16 x total hours)
16
Study Hours Out of Class
16
3
Field Work
Quizzes / Studio Critiques
1
Homework / Assignments
Presentation / Jury
Project
Seminar / Workshop
Oral Exam
Midterms
1
20
Final Exam
1
22
    Total
138

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to define and discuss the history, underlying concepts and theories of cinema and digital media.

2

To be able to develop a storytelling idea for cinema and digital media arts by using creativity and critical thinking.

3

To be able to operate specialized technical equipment and competently use software in the fields of cinema and digital media arts. 

4

To be able to execute the main tasks in the pre-production, production and post-production of an audio-visual work at the basic level including screenwriting, production planning, operating the camera, sound recording, lighting and editing.

5

To be able to perform a specialized task at an advanced level either for pre-production, production or post-production of an audio-visual work.

6

To be able to discuss how meaning is made through works of cinema and digital media; in what ways economics, politics and culture affect visual representation; how the conditions of production, consumption, distribution and interpretation shape images.

7

To be able to perform specialized tasks for creating digital media narratives with interactive elements.

8

To be able to conduct a critical analysis of a film or a work of digital media arts from technical, intellectual and artistic points of view.

9

To be able to take individual responsibility of a film or a digital media work from scratch to product in a problem-solving manner.

10

To be able to work as a crewmember by following norms of ethical conduct and taking initiative to improve the ethical standards of his/her working environment.

11

To be able to collect data in the areas of Cinema and Digital Media and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1).

12

To be able to speak a second foreign language at a medium level of fluency efficiently.

13

To be able to relate the knowledge accumulated throughout the human history to their field of expertise.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest