FACULTY OF COMMUNICATION

Department of Cinema and Digital Media

GEHU 203 | Course Introduction and Application Information

Course Name
Modern World History
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
GEHU 203
Fall/Spring
3
0
3
5

Prerequisites
None
Course Language
English
Course Type
Service Course
Course Level
First Cycle
Mode of Delivery -
Teaching Methods and Techniques of the Course -
Course Coordinator -
Course Lecturer(s)
Assistant(s)
Course Objectives To give an insight of mankind’s political, social and economic history in the last five hundred years.
Learning Outcomes The students who succeeded in this course;
  • to identify the origins and reasons of the military and naval rise of Europe at the start of the Modern Ages
  • to discuss the financial and military “revolutions” of the 16th and 17th centuries.
  • to outline the rises and falls of the historical “Great Powers” such as Habsburg Spain, Bourbon and later Napoleonic France, Victorian Britain, and Wilhelmian Germany.
  • to define the origins and the outcome of the First World War.
  • to emphasize the failure of the League of Nations in the “Interwar Period” and the origins of the Second World War.
  • to identify the origins and the phases of the “Cold War” in the post-WW II era.
  • to outline the collapse of the “Eastern Bloc” and the end of the Cold War.
Course Description GEHU 203 Modern World History classes offers an overview of mankind’s political, social and economic history in the period between the 16th and 21st centuries.

 



Course Category

Core Courses
Major Area Courses
Supportive Courses
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Introduction of the course and the course material
2 The Military and Naval Rise of Europe Documentary Paul Kennedy, “Strategy and Economics in the Pre-industrial World” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 3-30. Oral Sander, Siyasi Tarih, İlkçağlardan 1918’e, pp. 51-70.
3 The “Military and Financial Revolutions” in Europe and the Westphalian Order Paul Kennedy, “Strategy and Economics in the Preindustrial World” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 31-100 Oral Sander, Siyasi Tarih, İlkçağlardan 1918’e, pp. 70-77
4 The Rise of France and the Franco-British Global Struggle, American and French Revolutions, the “Napoleonic Wars” Paul Kennedy, “Strategy and Economics in the Preindustrial World” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 100-142. Oral Sander, Siyasi Tarih, İlkçağlardan 1918’e, pp. 77-128.
5 The “Metternich Order” and the “Concert of Europe”, the “Industrial Revolution” Paul Kennedy, “Strategy and Economics in the Industrial Era” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 143-169. Norman Rich, “Peacemaking 1814-1815” and “Peacekeeping 1815-1823: The Concert of Europe” in Great Power Diplomacy, 1814-1914, pp. 1-43. Oral Sander, Siyasi Tarih, İlkçağlardan 1918’e, pp. 128-143.
6 The American Civil War and “Re-unification”, Unifications of Italy and Germany | Mid-term Examination Paul Kennedy, “Strategy and Economics in the Industrial Era” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 170-193. Norman Rich, “The Great Powers and the American Civil War” in Great Power Diplomacy, 1814-1914, pp. 147-164. Norman Rich, “The Unification of Italy” in Great Power Diplomacy, 1814-1914, pp. 123-144. Norman Rich, “The Unification of Germany” in Great Power Diplomacy, 1814-1914, pp. 184-215. Oral Sander, Siyasi Tarih, İlkçağlardan 1918’e, pp. 159-165.
7 System of Alliances, Clash of Imperialisms, “Triple Alliance” versus “Triple Entente”, the First World War Paul Kennedy, “Strategy and Economics in the Industrial Era” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 194-274. Norman Rich, “The Breakdown of Bismarck’s Alliance System” in Great Power Diplomacy, 1814-1914, pp. 251-262. Norman Rich, “Confrontational Diplomacy” in Great Power Diplomacy, 1814-1914, pp. 408-420. Norman Rich, “The Coming of World War I” in Great Power Diplomacy, 1814-1914, pp. 440-461. Oral Sander, Siyasi Tarih, İlkçağlardan 1918’e, pp. 171-285.
8 Post-WW I Settlements and the Interwar Era, Rise of Revisionism and Totalitarianism, Failure of the League of Nations Paul Kennedy, “Strategy and Economics in the Preindustrial World” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 275-343. Oral Sander, Siyasi Tarih, 1918-1994, pp. 13-65.
9 The Second World War, Post-WW II Settlements, Emergence of a Bipolar World; the Cold War Years Paul Kennedy, “Strategy and Economics, Today and Tomorrow” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 333-373. Oral Sander, Siyasi Tarih, 1918-1994, pp. 101-201.
10 The Superpowers’ Global Competition; the Détente Era, the “Second Cold War” and the Collapse of the Eastern Bloc Paul Kennedy, “Strategy and Economics, Today and Tomorrow” in The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, pp. 373-535. Oral Sander, Siyasi Tarih, 1918-1994, pp. 202-520.
11 Online Group Presentations
12 Online Group Presentations
13 Online Group Presentations
14 Online Group Presentations
15 Review of the Semester
16 Final Exam

 

Course Notes/Textbooks

Paul Kennedy, The Rise and Fall of the Great Powers, Economic Change and Military Conflict from 1500 to 2000, Fontana Press (any edition).

Oral Sander, Siyasi Tarih, İlkçağlardan 1918’e, İmge Kitabevi Yayınları (any edition).

Oral Sander, Siyasi Tarih, 1918-1994, İmge Kitabevi Yayınları (any edition).

Suggested Readings/Materials

R.R. Palmer, Joel Colton, Lloyd Kramer, A History of the Modern World, McGraw Hill (any edition).

Eric Hobsbawm, Age of Extremes: A History of the World, 1914-1991, Vintage, New York, 1995.

Derek Urwin, A Political History of Western Europe Since 1945, Longman, London, 1997 (any edition).

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
2
15
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
1
25
Project
Seminar / Workshop
Oral Exams
Midterm
1
20
Final Exam
1
40
Total

Weighting of Semester Activities on the Final Grade
4
60
Weighting of End-of-Semester Activities on the Final Grade
1
40
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
0
Study Hours Out of Class
10
3
30
Field Work
0
Quizzes / Studio Critiques
0
Portfolio
0
Homework / Assignments
0
Presentation / Jury
1
20
20
Project
0
Seminar / Workshop
0
Oral Exam
0
Midterms
1
15
15
Final Exam
1
30
30
    Total
143

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to have fundamental knowledge about narrative forms in cinema, digital and interactive media, and the foundational concepts relevant to these forms.

2

To be able to create narratives based on creative and critical thinking skills, by using the forms and tools of expression specific to cinema and digital media arts.

3

To be able to use the technical equipment and software required for becoming a specialist/expert in cinema and digital media.

4

To be able to perform skills such as scriptwriting, production planning, use of the camera, sound recording, lighting and editing, at the basic level necessary for pre-production, production and post-production phases of an audio-visual work; and to perform at least one of them at an advanced level.

5

To be able to discuss how meaning is made in cinema and digital media; how economy, politics and culture affect regimes of representation; and how processes of production, consumption, distribution and meaning-making shape narratives.

6

To be able to perform the special technical and aesthetic skills at the basic level necessary to create digital media narratives in the fields of interactive film, video installation, experimental cinema and virtual reality.

7

To be able to critically analyze a film or digital media artwork from technical, intellectual and artistic perspectives.

8

To be able to participate in the production of a film or digital media artwork as a member or leader of a team, following the principles of work safety and norms of ethical behavior.

9

To be able to stay informed about global scientific, social, economic, cultural, political, institutional and industrial developments.

10

To be able to develop solutions to legal, scientific and professional problems surrounding the field of cinema and digital media.

11

To be able to use a foreign language to communicate with colleagues and collect data in the field of cinema and digital media. ("European Language Portfolio Global Scale", Level B1).

12

To be able to use a second foreign language at the medium level.

13

To be able to connect the knowledge accumulated throughout human history to the field of expertise.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 


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