FACULTY OF COMMUNICATION
Department of Cinema and Digital Media
GENS 212 | Course Introduction and Application Information
Course Name |
History and Philosophy of Astronomy
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Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
GENS 212
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Fall/Spring
|
3
|
0
|
3
|
5
|
Prerequisites |
None
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Course Language |
English
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Course Type |
Service Course
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Course Level |
First Cycle
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Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | - | |||||
Course Coordinator | ||||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | This course will examine the history and philosophy of astronomy in a way accessible to students of all majors and levels. Commencing from prehistory, emphasis will be placed both on lessons learned from past scientific developments and on open issues to stress the dynamics of discovery, including dark matter and cosmological questions about the Big Bang and the “multiverse.” Analysis of the impact of astronomical research will consider industrial benefits, mention of the novel phenomenon of commercial space and societal change from the artistic, literary, and philosophical standpoints, including also science straying into metaphysics. The contribution given by women throughout history will be explicitly showcased to provide a balanced view. Finally we shall consider the colonization of Mars, the dream of interstellar exploration, and the history and philosophical implications of the possible discovery of alien life in the universe, including intelligent civilizations. |
Learning Outcomes |
The students who succeeded in this course;
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Course Description |
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Core Courses | |
Major Area Courses | ||
Supportive Courses | ||
Media and Management Skills Courses | ||
Transferable Skill Courses |
WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES
Week | Subjects | Related Preparation |
1 | Introduction, the Solar System, our Universe | No-advanced-math based concept summary and essential concepts from: NASAS: Planets, Moons, Asteroids, Comets and Meteors. BSF: Part I; BSFWB: Ch. 1; PINLN |
2 | Prehistory, archeoastronomy, ancient Egypt | No-advanced-math based concept summary and essential concepts from: RMPI: pp 3-47; TESA: Ch. 4 PINLN |
3 | Basic naked-eye astronomy, observing the sky | No-advanced-math based concept summary and essential concepts from: PINLN |
4 | Babylonian mathematics and astronomy | No-advanced-math based concept summary and essential concepts from: TESA: Ch. 1-3, 5 PINLN |
5 | Greek philosophy and astronomy I | No-advanced-math based concept summary and essential concepts from: TESA: Ch. 6 HWP: Part I–The Presocratics PSC: Prologue PINLN |
6 | Greek philosophy and astronomy II | No-advanced-math based concept summary and essential concepts from: HWP: Part II–Socrates, Plato, Aristotle GINPTO PINLN |
7 | The Middle Ages and Astronomy in Islam | No-advanced-math based concept summary and essential concepts from: PSC: Ch. 2 (Historical Perspectives) PINLN |
8 | The Copernican Revolution, Tycho, and Kepler | No-advanced-math based concept summary and essential concepts from: HWP: Bk 3, Pt. VI–The Rise of Science PINLN |
9 | Galileo, the telescope, Newton, and mechanics | No-advanced-math based concept summary and essential concepts from: PINGT; PSC: Ch. 3, 5 (gravitation) PINLN |
10 | Midterm I | |
11 | Triumphs and failures. Einstein and relativity | No-advanced-math based concept summary and essential concepts from: PSC: Ch. 8, 9, 26 SGT: Part II PINLN |
12 | Space exploration. The race to the Moon | No-advanced-math based concept summary and essential concepts from: NASARS: 1-26; BSFWB: Ch. 4; BSF: Ch. 9 PINLN |
13 | Project I | |
14 | Exploring Mars. Interstellar space. Alien life | No-advanced-math based concept summary and essential concepts from: BSFWB: Ch. 9; BSF: Ch. 13; NASAINS; ESAEXB: II.3; PINLN |
15 | Project II | |
16 | Final exam |
Course Notes/Textbooks | NASA Science, Our Solar System, https://solarsystem.nasa.gov/solar-system/our-solar-system/overview/ : NASAS. A. B. Chace, The Rhind Mathematical Papyrus (Vol. I) (Mathematical Association of America, Oberlin, Ohio, 1927): RMPI. O. Neugebauer, The Exact Sciences in Antiquity (Dover Publications, New York, 1969): TESA. B. Russel, History of Western Philosophy (George Allen and Unwin Ltd., Great Britain, 1947): HWP. T. S. Kuhn, The Structure of Scientific Revolutions (The University of Chicago, Chicago, 1970): SOSR. K. Popper, The Logic of Scientific Discovery (Routledge, London, 2005): LOSD. P. Feyerabend, “How to defend society against science,” in Scientific Revolutions, Ian Hacking, Ed. (Oxford University Press, Oxford, 1981): FEYDS. O. Gingerich, “Was Ptolemy a fraud?” Q. Jl. R. astr. Soc., 21, 253-266 (1980): GINPTO. F. Pinto, “Giants’ Talk,” The Griffith Observer, 2-18, 9, 1992: PINGT. A. Einstein, Relativity: The special and general theory (Methuen & Co Ltd, 1920): SGT. G. W. Mason, Physical Science Concepts (BYU Univ. Press, 1997): PSC. NASA, Adventures in Rocket Science (NASA, 2008): NASARS. D. Doody and G. Stephan, Basics of Spaceflight: Learners’ Workbook (JPL, 1995): BSFWB. D. Doody, Basics of Spaceflight (JPL, 2011): BSF. NASA, Mars InSight Launch Press Kit (2018): NASAINS. F. Pinto, “Engines powered by the forces between atoms,” Am. Sci., 102, 280-289 (2014): PINEFBA. ESA, Exobiology in the Solar System & The Search for Life on Mars (1999): ESAEXB. F. Pinto, Lecture Notes: PINLN. |
Suggested Readings/Materials | - |
EVALUATION SYSTEM
Semester Activities | Number | Weigthing |
Participation | ||
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | ||
Presentation / Jury | ||
Project |
2
|
40
|
Seminar / Workshop | ||
Oral Exams | ||
Midterm |
1
|
20
|
Final Exam |
1
|
40
|
Total |
Weighting of Semester Activities on the Final Grade |
3
|
60
|
Weighting of End-of-Semester Activities on the Final Grade |
1
|
40
|
Total |
ECTS / WORKLOAD TABLE
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
3
|
48
|
Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
0
|
|
Study Hours Out of Class |
16
|
4
|
64
|
Field Work |
0
|
||
Quizzes / Studio Critiques |
0
|
||
Portfolio |
0
|
||
Homework / Assignments |
0
|
||
Presentation / Jury |
0
|
||
Project |
2
|
14
|
28
|
Seminar / Workshop |
0
|
||
Oral Exam |
0
|
||
Midterms |
1
|
5
|
5
|
Final Exam |
1
|
5
|
5
|
Total |
150
|
COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP
#
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Program Competencies/Outcomes |
* Contribution Level
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||||
1
|
2
|
3
|
4
|
5
|
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1 | To be able to have fundamental knowledge about narrative forms in cinema, digital and interactive media, and the foundational concepts relevant to these forms. |
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2 | To be able to create narratives based on creative and critical thinking skills, by using the forms and tools of expression specific to cinema and digital media arts. |
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3 | To be able to use the technical equipment and software required for becoming a specialist/expert in cinema and digital media. |
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4 | To be able to perform skills such as scriptwriting, production planning, use of the camera, sound recording, lighting and editing, at the basic level necessary for pre-production, production and post-production phases of an audio-visual work; and to perform at least one of them at an advanced level. |
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5 | To be able to discuss how meaning is made in cinema and digital media; how economy, politics and culture affect regimes of representation; and how processes of production, consumption, distribution and meaning-making shape narratives. |
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6 | To be able to perform the special technical and aesthetic skills at the basic level necessary to create digital media narratives in the fields of interactive film, video installation, experimental cinema and virtual reality. |
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7 | To be able to critically analyze a film or digital media artwork from technical, intellectual and artistic perspectives. |
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8 | To be able to participate in the production of a film or digital media artwork as a member or leader of a team, following the principles of work safety and norms of ethical behavior. |
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9 | To be able to stay informed about global scientific, social, economic, cultural, political, institutional and industrial developments. |
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10 | To be able to develop solutions to legal, scientific and professional problems surrounding the field of cinema and digital media. |
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11 | To be able to use a foreign language to communicate with colleagues and collect data in the field of cinema and digital media. ("European Language Portfolio Global Scale", Level B1). |
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12 | To be able to use a second foreign language at the medium level. |
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13 | To be able to connect the knowledge accumulated throughout human history to the field of expertise. |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
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