FACULTY OF COMMUNICATION
Department of Cinema and Digital Media
GENS 205 | Course Introduction and Application Information
| Course Name |
Natural Science
|
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
|
GENS 205
|
Fall/Spring
|
3
|
0
|
3
|
4
|
| Prerequisites |
None
|
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| Course Language |
English
|
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| Course Type |
Service Course
|
|||||
| Course Level |
First Cycle
|
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| Mode of Delivery | - | |||||
| Teaching Methods and Techniques of the Course | - | |||||
| Course Coordinator | ||||||
| Course Lecturer(s) | ||||||
| Assistant(s) | - | |||||
| Course Objectives | This course introduces the history of Western mankind's changing understanding of the natural world from Greek antiquity through the Scientific Revolution of the 17th century. |
| Learning Outcomes |
The students who succeeded in this course;
|
| Course Description | See Schedule |
|
|
Core Courses | |
| Major Area Courses | ||
| Supportive Courses | ||
| Media and Management Skills Courses | ||
| Transferable Skill Courses |
WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES
| Week | Subjects | Related Preparation |
| 1 | Introduction | Discussion Topic: Does the word science accurately describe Babylonian, Egyptian and Greek thought about nature? Why is "scientist" in quotation marks in the syllabus? Should it be? Reading: Lindberg ch. 1 |
| 2 | The Pre-Socratics | Discussion Topic: What was the "problem of change?" Was it more severe than "the problem of knowledge?" Reading: Lindberg ch. 2, Parmenides on Blackboard |
| 3 | Plato | Discussion Topic: From Plato's point of view, what was his single most important concept? Why would Plato think it was the most important? Explain Plato's successful theory of nature. Reading: Lindberg ch. 2,3, Plato on Blackboard |
| 4 | Aristotle | Discussion Topic: From Aristotle's point of view, what was his single most important concept? Why would Aristotle think it was the most important? Explain Aristotle's successful theory of nature. Reading: Lindberg ch. 3,4 Aristotle on Blackboard |
| 5 | Ptolemy, Galen, Greek natural philosophers in review | Discussion Topic: What exactly were Plato's and Aristotle's respective influences on Greek astronomy just before Ptolemy? Was astronomy then more Platonic or more Aristotelian, or neither? Reading: Lindberg ch. 4,5, 6 Aristarchus, and Ptolemy on Blackboard |
| 6 | 1st Midterm | |
| 7 | Early Medieval Science in Europe and Islamic world | Discussion Topic: In medieval science, which word best describes the relationship between science and religion: harmony, separation, conflict? Why? Reading: Lindberg ch. 7-11 |
| 8 | Vesalius, Harvey | Discussion Topic: What were Vesalius and Harvey's major contributions to 16th century medical sciences? Reading: Lindberg ch. 13, Dear Ch.2 & 7, Harvey on Blackboard |
| 9 | Copernicus, Tycho Brahe, Kepler, Galileo | Discussion Topic: What were Copernicus, Tycho Brahe, Kepler, and Galileo's major contributions to 16th century astronomical sciences? Reading: Dear Ch.2 & 7 |
| 10 | Descartes | Discussion Topic: From Descartes' point of view, what was his single most important concept? Why would Descartes think it was the most important? Explain Descartes' successful theory of nature. Reading: Dear Ch.2 & 4, Descartes on Blackboard |
| 11 | 2nd Midterm | |
| 12 | Newton | Reading: Dear Ch.6,7,8 |
| 13 | Newton | Reading: Dear Ch.6,7,8 |
| 14 | General Review | |
| 15 | Review of the Semester | |
| 16 | Review of the Semester |
| Course Notes/Textbooks | |
| Suggested Readings/Materials |
EVALUATION SYSTEM
| Semester Activities | Number | Weigthing |
| Participation | ||
| Laboratory / Application | ||
| Field Work | ||
| Quizzes / Studio Critiques |
1
|
15
|
| Portfolio | ||
| Homework / Assignments |
2
|
20
|
| Presentation / Jury | ||
| Project | ||
| Seminar / Workshop | ||
| Oral Exams | ||
| Midterm |
2
|
30
|
| Final Exam |
1
|
35
|
| Total |
| Weighting of Semester Activities on the Final Grade |
4
|
65
|
| Weighting of End-of-Semester Activities on the Final Grade |
1
|
35
|
| Total |
ECTS / WORKLOAD TABLE
| Semester Activities | Number | Duration (Hours) | Workload |
|---|---|---|---|
| Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
3
|
48
|
| Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
0
|
|
| Study Hours Out of Class |
0
|
||
| Field Work |
1
|
11
|
11
|
| Quizzes / Studio Critiques |
1
|
0
|
|
| Portfolio |
0
|
||
| Homework / Assignments |
0
|
||
| Presentation / Jury |
0
|
||
| Project |
0
|
||
| Seminar / Workshop |
0
|
||
| Oral Exam |
0
|
||
| Midterms |
2
|
20
|
40
|
| Final Exam |
1
|
30
|
30
|
| Total |
129
|
COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
||||
|
1
|
2
|
3
|
4
|
5
|
||
| 1 | To be able to have fundamental knowledge about narrative forms in cinema, digital and interactive media, and the foundational concepts relevant to these forms. |
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| 2 | To be able to create narratives based on creative and critical thinking skills, by using the forms and tools of expression specific to cinema and digital media arts. |
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| 3 | To be able to use the technical equipment and software required for becoming a specialist/expert in cinema and digital media. |
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| 4 | To be able to perform skills such as scriptwriting, production planning, use of the camera, sound recording, lighting and editing, at the basic level necessary for pre-production, production and post-production phases of an audio-visual work; and to perform at least one of them at an advanced level. |
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| 5 | To be able to discuss how meaning is made in cinema and digital media; how economy, politics and culture affect regimes of representation; and how processes of production, consumption, distribution and meaning-making shape narratives. |
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| 6 | To be able to perform the special technical and aesthetic skills at the basic level necessary to create digital media narratives in the fields of interactive film, video installation, experimental cinema and virtual reality. |
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| 7 | To be able to critically analyze a film or digital media artwork from technical, intellectual and artistic perspectives. |
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| 8 | To be able to participate in the production of a film or digital media artwork as a member or leader of a team, following the principles of work safety and norms of ethical behavior. |
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| 9 | To be able to stay informed about global scientific, social, economic, cultural, political, institutional and industrial developments. |
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| 10 | To be able to develop solutions to legal, scientific and professional problems surrounding the field of cinema and digital media. |
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| 11 | To be able to use a foreign language to communicate with colleagues and collect data in the field of cinema and digital media. ("European Language Portfolio Global Scale", Level B1). |
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| 12 | To be able to use a second foreign language at the medium level. |
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| 13 | To be able to connect the knowledge accumulated throughout human history to the field of expertise. |
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*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
NEWS |ALL NEWS
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