FACULTY OF COMMUNICATION

Department of Cinema and Digital Media

GEAR 211 | Course Introduction and Application Information

Course Name
Communication, Literature and Philosophy
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
GEAR 211
Fall/Spring
3
0
3
5

Prerequisites
None
Course Language
English
Course Type
Service Course
Course Level
First Cycle
Mode of Delivery -
Teaching Methods and Techniques of the Course -
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives This module aims to introduce students to analytic thinking and philosophizing via short readings and analysis of literary texts, art works, photography and cinema.
Learning Outcomes The students who succeeded in this course;
  • explain the parallels between the history of philosophy and the history of communication/art/literature
  • compare the changes and developments in philosophical thinking with the changes and developments of the means and methods of communication
  • evaluate the role of literary texts in providing answers to the major philosophical questionscompare
  • compare the changes and developments in philosophical thinking with the changes and developments of the means and methods of communication provide
  • provide answers to the question of the extent to which the fundamental questions of Western philosophy, including being, subject and consciousness, have determined the practices of communication, art and literature
  • explain the links between different philosophical currents and the main analytic methods of the discipline of communications, including rhetoric, semiotics, discourse analysis and content analysis
  • explain the effects of binary oppositions that lie at the foundations of Western philosophy on the development of literature and arts in particular, and of communications and culture in generalrelate the creation of literary and artistic works to the knowledge derived from the ethical, aesthetical and political spheres of philosophy.
Course Description This course focuses on the historical trajectory of western philosophy in parallel to its relations particularly with literature and art, and generally with culture and communications.

 



Course Category

Core Courses
Major Area Courses
Supportive Courses
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Presentation and an overview of the course, course organization, requirements and methods of evaluation.
2 Essential Questions of Philosophy: Ancient Greece Clerk, ‘Ancient Philosophy, in Kenny, 1-53
3 Introduction to Philosophy of Modern Times ‘Descartes to Kant’, in Kenny, 107-193
4 Enlightenment, Modernity and Reason Umberto Eco, The Name of the Rose; ‘Descartes’ in Russell, 511-520, Umberto Eco, ‘The Return of the Middle Ages’ in Eco,Travels in Hyperreality, 59-86
5 Modernity, Science, Progress and Dangers Mary Shelley, Frankenstein. Descartes in Russell, 511-520
6 Discussion on the Consequences of Modernization 'Descartes to Kant' in Kenny, 107-193.
7 Consciousness, Identity and Freedom: Lord and Bondsman Orhan Pamuk, The White Castle. ‘Hegel’ in Kenny 201 -206.
8 Discussion on Lord/Bondsman and East/West Hegel’ in Kenny 201 -206. Hall, ‘The West and the Rest’ (Handout)
9 Ethics: Modern and Postmodern Dostoevsky, Crime and Punishment. ‘Kantian Morality’, in Kenny, 190-192; ‘Nietzsche’, in Kenny 216-221
10 Modernity and Social Injustice John Steinbeck, Grapes of Wrath Movie: Germinal ‘ Marx and the Young Hegelians’ & ‘Capitalism and its Discontents’, Kenny, 304-309. Russell, Ch. XXVII. Karl Marx
11 Modernity, Power, Bureaucracy and Surveillance Franz Kafka ‘The Trial’ Movie ‘Kafka’ SEP ‘Weber’; SEP ‘Foucault’ (Handouts)
12 Rousseau: “Natural Man” and Degeneration Joseph Conrad, ‘Heart of Darkness’ Movie ‘Apocalypse Now’ Quinton ‘Rousseau’ in Kenny 329-332 Freud, ‘Civilization and Its Discontents’ (Handout)
13 Existentialism Albert Camus, The Stranger. Existentialism,SEP
14 Philosophy and Psyche Franz Kafka ‘Metamorphosis’ Yusuf Atılgan ‘Anayurt Oteli’ & Movie Modules on Freud (Handout) Kenny, .’Sigmound Freud’, pp. 343-350.
15 Review of the Semester
16 Revision

 

Course Notes/Textbooks

Robert C. Solomon and Kathleen M. Higgins, The Big Questions:  A Short Introduction to Philosophy.

Bertrand Russell, History of Western Philosophy,

Sir Anthony Kenny, An Illustrated Brief History of Western Philosophy.

Stanford Encyclopedia of Philosophy (SEP)

Suggested Readings/Materials

Umberto Eco, The Name of the Rose

Orhan Pamuk, The White Castle

Dostoevsky, Crime and Punishment

Franz Kafka ‘The Trial’

Joseph Conrad, ‘Heart of Darkness’

Franz Kafka ‘Metamorphosis’

Yusuf Atılgan ‘Anayurt Oteli’

Albert Camus, The Stranger

John Steinbeck, Grapes of Wrath

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
1
10
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
1
30
Presentation / Jury
Project
Seminar / Workshop
Oral Exams
Midterm
2
60
Final Exam
Total

Weighting of Semester Activities on the Final Grade
3
70
Weighting of End-of-Semester Activities on the Final Grade
1
30
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
0
Study Hours Out of Class
15
5
75
Field Work
0
Quizzes / Studio Critiques
0
Portfolio
0
Homework / Assignments
0
Presentation / Jury
0
Project
1
20
20
Seminar / Workshop
0
Oral Exam
0
Midterms
2
10
20
Final Exam
0
    Total
163

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to have fundamental knowledge about narrative forms in cinema, digital and interactive media, and the foundational concepts relevant to these forms.

2

To be able to create narratives based on creative and critical thinking skills, by using the forms and tools of expression specific to cinema and digital media arts.

3

To be able to use the technical equipment and software required for becoming a specialist/expert in cinema and digital media.

4

To be able to perform skills such as scriptwriting, production planning, use of the camera, sound recording, lighting and editing, at the basic level necessary for pre-production, production and post-production phases of an audio-visual work; and to perform at least one of them at an advanced level.

5

To be able to discuss how meaning is made in cinema and digital media; how economy, politics and culture affect regimes of representation; and how processes of production, consumption, distribution and meaning-making shape narratives.

6

To be able to perform the special technical and aesthetic skills at the basic level necessary to create digital media narratives in the fields of interactive film, video installation, experimental cinema and virtual reality.

7

To be able to critically analyze a film or digital media artwork from technical, intellectual and artistic perspectives.

8

To be able to participate in the production of a film or digital media artwork as a member or leader of a team, following the principles of work safety and norms of ethical behavior.

9

To be able to stay informed about global scientific, social, economic, cultural, political, institutional and industrial developments.

10

To be able to develop solutions to legal, scientific and professional problems surrounding the field of cinema and digital media.

11

To be able to use a foreign language to communicate with colleagues and collect data in the field of cinema and digital media. ("European Language Portfolio Global Scale", Level B1).

12

To be able to use a second foreign language at the medium level.

13

To be able to connect the knowledge accumulated throughout human history to the field of expertise.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 


NEWS |ALL NEWS

Izmir University of Economics
is an establishment of
izto logo
Izmir Chamber of Commerce Health and Education Foundation.
ieu logo

Sakarya Street No:156
35330 Balçova - İzmir / Turkey

kampus izmir

Follow Us

İEU © All rights reserved.